ABOUT US My Heckscher

Celebrating 100 Years

Celebrate The Museum’s 100th Anniversary through 2021!

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Learn about key people and moments in the Museum’s History:

August Heckscher and his wife, Anna, dedicated the Heckscher Museum to the people of Huntington, “and especially the children,” on July 10, 1920.

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George Grosz (1893-1959) was a leader in the Dada art movement in 1920s Berlin. Eclipse of the Sun is among the most significant paintings in a public collection on Long Island and one of the masterpieces of 20th-century art.

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Eva Ingersoll Gatling, one of the first women in America to direct an art museum, was hired as the Museum’s first full-time professional director in October 1962. She is considered the force that put The Heckscher Museum “on the map” as an important regional museum.

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The renowned American modernist Arthur Dove lived in Huntington with his wife, the artist Helen Torr, from 1924 to 1946. The Heckscher Museum acquired the Dove/Torr Cottage in Centerport in 1998.

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Frederick Baker and Ronald G. Pisano focused their collecting interests on American Modernism, and began donating art to the Museum as early as 1975. The Baker/Pisano Collection at The Heckscher Museum of Art is the largest donation of artwork received by the Museum.

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The Heckscher Museum strives to be a leading source of artistic inspiration for Long Island and the region through community engagement and education programs.

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My Heckscher Story

Your story is our story, and we want to celebrate it!

The Heckscher Museum commemorates the fascinating people, events, and art that define the Museum’s first 100 years. Tell us about your own special moment / memory at the Museum!  Share your story and photos here, and you may be featured below, on our social media channels, and in the Museum during the upcoming exhibition!

 

Carol Forman Tabler

Ph.D., Art Historian

“My connection with the Heckscher Museum began forty-six years ago when I was hired by then director Eva Gatling to do the research and writing for the European section of the collection catalogue, published in 1979. Eva always shared her ideas and encouraged me to make my own decisions. She was my muse. I also had the great pleasure of collaborating with fellow art historian Ronald G. Pisano, who wrote the American section of the catalogue and became my dear friend, mentor, and inspiration. Although I didn’t realize it at the time, my research for the Heckscher catalogue not only launched my professional career but also my life’s work by introducing me to Antoine Vollon, one of several French nineteenth-century artists in the collection. Ultimately, my discovery of Vollon, who, I felt, deserved to become better known, led to a doctoral dissertation at the Institute of Fine Arts, NYU, on the subject of his landscape paintings, and I am still engaged in the pursuit of research, writing, and discussion about this fascinating artist. Over the years, while I was teaching graduate and undergraduate courses at LIU/Post, the museum asked me to guest-curate two exhibitions, Realms of Resonance; Painting and Drawing in Nineteenth-Century France (2002) and Illuminations: Images of Landscape in France, 1855-1885 (1990), the latter traveling to two additional venues. Heartfelt thanks to the Heckscher Museum where I currently serve on the Collections Stewardship Committee.”

Photo: Eva Gatling surrounded by Museum associates in 1977 (left to right) Carol Forman Tabler, Ruth Solomon, Ron Pisano, Bill Titus, Elizabeth Boas, May Davis Hill and Sue Kohler.

Barbara Roux

Artist

“I was born at Huntington Hospital in 1946, which I imagine you can see from the south hill of Heckscher Park. Most of my life has been spent in Huntington. As a child my mom took me to Heckscher Park regularly on the bus from Huntington Station where we lived. I recall my rambles through the park grounds, walking out to the island in the pond, calling out hello loudly in the rubble stone gazebo by the pine grove, sitting under the shade of the great Norway maples by the playground. After my ramble we sometimes went into the cool, peaceful sanctuary of the museum.

The Heckscher Museum was my Metropolitan Museum of Art and it always will be. There I had my first encounter close up with paintings that I thought were beautiful and powerful. There was a painting of a country scene in autumn that was aglow with orange. It was by Thomas Moran and titled The Woods in Autumn. I got to know this artist’s work of Hudson River School fame as a graduate student in art at Hunter College decades later. There was also a night scene of a full moon over trees I loved by Ralph Blakelock titled The Poetry of Moonlight. And I had a fascination for a huge painting, Embarkation Maneuver by Berne-Bellecour. This scene of soldiers waiting to board a train to take them to battle in the Franco-Prussian War stays with me. They have elegant red and white uniforms and there is such apprehension of what is going to happen to them with a dark foreboding sky. I always felt I could walk into it. Maybe it was because of my childhood connections to war stories. My dad had been in World War II and my great grandfather fought in the Civil War in the Union Army.

When I was older I visited the museum often. I was very drawn to James Scudder’s Afternoon at Rocky Point. This painting was of a scene I knew well, Target Rock in Lloyd Neck. I visited that area with a friend who lived on the salt marsh next to that spot. In the 1970s when it became popular as a wildlife refuge it was my favorite haunt. The place inspired much of my work as a college student and for years to come. I still have a museum postcard of that painting.

In the late 1990s, I began a professional relationship with the Heckscher. Eight of my artworks are now part of the collection, and they are often on view in exhibitions. I have been delighted to see my ecologically-inspired work in the company of my favorite 19th-century landscape paintings that I recognized from my visits in years past. August and Anna Heckscher dedicated the Heckscher Museum and park ‘to the little birds who migrate, and to the children who fortunately do not.’ I am happy to say I am one of those who did not migrate.”

Left: Barbara Roux at the “rumble stone gazebo” in Heckscher Park, 1950

Rico Ford

Art student

“In 2018, I had the honor of being the Long Island’s Best 4th place award winner, as well as the Grumbacher Visitors’ Choice. My experience with the museum has changed the way I see myself in this world. I was never exposed to art museums, or knew any artists like me. The Heckscher allowed me to meet artists my age from all different backgrounds. To this day in college, I still meet people who recognize my work, and made friends with students who participated in the show.”

Photo: Rico Ford alongside his award-winning artwork in Long Island’s Best 2018.

Laura Powers Swiggett

Community member

“I have a vivid memory of standing in the Heckscher about 25 years ago. I was in front of an Esteban Vicente painting of such sublime beauty that for a minute, everything around me dissolved. I understood more fully what my mentor, Stan Brodsky, had been helping me discover. It aroused my senses, lifted my spirits, and expanded my boundaries. Art gives me a language for tapping into things beneath the surface, for which I would otherwise not have a vocabulary.”

Photo: Laura Powers Swiggett

Lauren W. Summers

Docent

“Here we are, Lauren and Rissa Winters, enjoying another wonderful day at The Heckscher Museum and park in August 1967. While growing up our frequent visits to the park shaped our lives in so many ways. The beauty of the pond and bridges, the wonders of the museum, and the evenings of music under the stars were all integral to our happy family. Today we are both still residents of Huntington, and still frequent this lovely park. I am delighted to be one of the new docents at the Heckscher Museum, and have the great privilege of sharing this gem with our many valued visitors.”

Racing up the stairs
A joyous return
To walls of art
Who call to me

The Poetry of Moonlight whispers
While Youth Eternal’s frog teases

Bold colors laugh
And sculptures play in space

Tulips on arrival
Geese above at dusk

Worry not
I’ll be back
It’s my museum.

Photo: Lauren W. Summers (right) and her sister Rissa in the Museum in 1967.

Molla Gary

Docent volunteer

“As a docent, I love talking to people and telling them about the artwork. I like to talk about [George Grosz’s Eclipse of the Sun]. I enjoy it when I am talking to a group and they themselves say, ‘It’s relevant today,’ and begin to share ideas with others in the group. It’s very exciting!”

 

Photo: Molla Gary (left) speaks with a visitor about artwork in an exhibition of artist Jan Staller’s work.

Beth Atkinson

Artist and retired art teacher

“As an art teacher at Hicksville High School, I brought my students to The Heckscher Museum for more than 20 years for Long Island’s Best: Young Artists at The Heckscher Museum. Seeing their [own] artwork hung in such a prestigious museum is overwhelming for students. Then, to see their parents’ reactions—that is worth everything to me as a teacher!”

Photo: Beth Atkinson alongside her artwork in the Museum’s Long Island Biennial 2018.

Jeri Weitman

Musician, Museum volunteer, former music teacher and Museum staff member

“In the year 2000, I was hired to work at the Heckscher as Coordinator of Public Programs. That year the arts world celebrated American composer Aaron Copland’s 100th birthday. Copland was a favorite of Beth Levinthal, Interim Director of the Heckscher at the time. Her vision of creating a multidiscipline program linking the visual arts and Copland became Aaron Copland’s America, the extraordinary exhibit that introduced me to the limitless possibilities of making connections in the arts. With this all-encompassing model for future exhibitions, I had the privilege of working with the fabulous Education Department staff for the next six years, planning and implementing programs to enrich the understanding of the works on view. During that time, I met numerous musicians and artists, Lukas Foss, David Amram, and Larry Rivers, to name a few, and hosted countless concerts, poetry nights, jazz brunches, artist studio tours, and children’s programs. It was an exciting and stimulating time, full of wonderful memories for me!”

Photo: Jeri Weitman in Heckscher Park.

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