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Alexander Adell, Long Island Sound, 2017, Oil on panel.
Nicholas Alberti. Wired #7, 2017, Acrylic on canvas.
Beth Atkinson, Buttermilk Falls, 2017, Woodcut on paper.
Mario Bakalov, Louise Esposito, 2018, Watercolor.
Arthur Bernstein, Dark Lady, 2016, Wood – black walnut.
Peter Beston, Abrasha in Port-au-Prince, 2018, Oil on canvas.
Jane Breskin Zalben, Off the Grid: Inside/Out, 2017, Acrylic, oil, mixed media, copper, dyed metallic gauze on linen canvas.
Stuart Burton, Multiple Horizons, 2017, Acrylic.
John Cino. Wafting Bubinga #2, 2018, Carved wood – Bubinga with Padouk base.
Donna Corvi, ShadLines, 2017, Acrylic on canvas.
Riccarda de Eccher, Sassolungo, 2016, Watercolor on paper.
Peter Dicke, Hope , 2018, Photograph.
Alex Ferrone, Form II, 2018, Photograph – dye sublimation on aluminum.
Richard Gardiner, Veritas Praevalebit, 2017, Acrylic on canvas.
Raymond Germann, Whitney Museum, 2016,
Naomi Grossman. Connection, 2018, wire.
Jan Guarino, Bangles and Giggles, 2018, Watercolor.
Qin Han, Dualism–Poetically Dwelling, 2017, Artist book, cyanotype.
Lenore Ann Hanson, Untitled Yellow, 2017, Graphite, oil pastel on wood.
Elizabeth Heaton, Conjoined, 2017, Pastel and water on paper.
Stanley Horowitz, Into the Mystic, 2016, Inkjet print.
Holly Hunt, Somebunny, 2017, Photograph.
Warren Infield, S.O.S., 2018, Mixed media, plastic, wood cardboard, metal, photos, plastic, and acrylic.
Marc Josloff, Geraniums on Window Sill, 2017, Latex on canvas.
Lita Kelmenson, The Sound of Silence, 2017, Wood, bark, paper.
Roshanak Keyghobadi, Life, 2018, Handmade paper, thread, newspaper and magazine.
Anthony Klinger-Cooley, Incubation, 2018, Colored pencil, watercolor.
Rachelle Krieger,Rocks and Rays 13. , 2016, Acrylic and flashe on paper.
Joyce Kubat, Armour, 2016, Ink on 2 paper layers.
Christopher Lauto, Throne Room, 2018, Linoleum print with digital color.
Christa Maiwald, Famous Cakes: Devil’s Food Cake for Richard Serra, 2018, Hand embroidery on cotton fabric, soap, wooden shelf.
E. Craig Marcin, Shore Side, 2017, Egg tempera on panel.
Mike McLaughlin. House on the Long Island Prairie, 2017, Archival pigment ink print.
Paul Mele, Surgical Building / Bedroom, 2017, Pigment Print
Margaret Minardi, What Holds Us Together, 2017, Mixed media (acrylic, colored pencil, tape, paper collage).
Kasmira Mohanty, Amelia, 2016,
Min Myar, There is Madness in the Galaxy, 2018, Watercolor, magazine stock, rice paper.
Christopher Harold Parrott, Imperial Pathways, 2017, Charcoal on paper.
Inna Pashina, Apotheosis of Spring, 2018, Acrylic on canvas.
Laura Powers-Swiggett, Passing Through (Jennings Meadow), 2017, Acrylic on canvas.
Anna Prikazchikova, Origin, 2016, Hand cut paper.
Bastienne Schmidt, Horizon with Thread from Grids and Threads, 2018, Pigment and string on raw canvas.
George Schullman, Blue Angel, 2018, Oil paint, graphite, fabric, gold and palladium leafing on wood.
Alisa Shea, Tired of Winning, 2018, Watercolor on paper.
Bill Shillalies, Untitled, 2018, Ceramic/bronze.
Susan Christine Tango, 3 Peonies, 2018, Glass.
Pamela Waldroup, Staircase #4, Nassau County Museum of Art, 2017, Digital photograph; archival pigment print.
Dan W. Welden, Moonbeams Striking on the Windows, 2018, Etching and mixed media on handmade paper.
Frank Wimberley, Slight Disturbance, 2018, Acrylic on clay surface.
Amy Worth, Orient Ice, 2018, Oil on board.
Tmima Z. No Exit, 2016, Mixed media.
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