Museum History

MUSEUM HISTORY

Learn about key people and moments in the Museum’s History:

August Heckscher and his wife, Anna, dedicated the Heckscher Museum to the people of Huntington, “and especially the children,” on July 10, 1920.

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Youth Eternal by Evelyn Beatrice Longman has the distinction of being the artwork on longest continuous view in The Heckscher Museum.  The fountain takes center stage in the Museum lobby, and has a history closely aligned to the Museum’s founding, and a connection to an iconic American sculpture.

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Eva Ingersoll Gatling, one of the first women in America to direct an art museum, was hired as the Museum’s first full-time professional director in October 1962. She is considered the force that put The Heckscher Museum “on the map” as an important regional museum.

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George Grosz (1893-1959) was a leader in the Dada art movement in 1920s Berlin. Eclipse of the Sun is among the most significant paintings in a public collection on Long Island and one of the masterpieces of 20th-century art.

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The renowned American modernist Arthur Dove lived in Huntington with his wife, the artist Helen Torr, from 1924 to 1946. The Heckscher Museum acquired the Dove/Torr Cottage in Centerport in 1998.

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Frederick Baker and Ronald G. Pisano focused their collecting interests on American Modernism, and began donating art to the Museum as early as 1975. The Baker/Pisano Collection at The Heckscher Museum of Art is the largest donation of artwork received by the Museum.

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The Heckscher Museum strives to be a leading source of artistic inspiration for Long Island and the region through community engagement and education programs.

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“The Heckscher Museum strives to be a leading source of artistic inspiration for Long Island and the region through community engagement and education programs.”

The Heckscher Museum of Art presents dynamic exhibitions and inspiring museum programs, serving the people of the Town of Huntington and all of Long Island.  It maintains an important Permanent Collection that includes more than 2,300 pieces by American and European artists.

The Heckscher Museum was founded in 1920 by Anna and August Heckscher who donated the Museum building and 185 works of art to the Heckscher Trust, a non-profit foundation they created to benefit the citizens of Huntington.  Mr. and Mrs. Heckscher envisioned Heckscher Park and the Museum as the center of the community’s cultural, recreational, and social life. Inspired by that vision, the Museum has championed the value of publicly accessible art and arts education for everyone.

The founding collection includes works by European Old Masters such as Lucas CranachFrançois Girardon, and Henry Raeburn, as well as important 19th and 20th century American painters examples being  Edward and Thomas MoranRalph Albert Blakelock, and George Inness.

When the Heckscher Trust transferred ownership of the Museum to the Town of Huntington in 1954, Town officials urged the citizens serving on the Trust’s Art Committee to continue helping to guide management of the Museum.  After the New York State Board of Regents issued The Heckscher Museum’s Absolute Charter in 1957, the Town formally delegated operational responsibility of the Museum to the independent Board of Trustees of this newly formed non-profit organization.

Penrhyn Stanlaws, August Heckscher, 1925 (detail),
Oil on canvas, 47-1/2 x 34-1/4 in. August Heckscher Collection

Eva Gatling in the galleries

A more active exhibitions schedule and a program of educational initiatives was put in place. In 1962, Eva Gatling became Director, one of the first women to direct an American art museum. During her tenure, the Museum made one of its most important acquisitions with the purchase of George Grosz’s Eclipse of the Sun—a monumental painting from the height of his activity in Berlin during the 1920s. Many more objects were added to the collection during Gatling’s 16-years with the organization, including a number of works by Arthur Dove who, like Grosz, had lived in Huntington for an extended period.

Subsequent directors continued to expand education programs and exhibitions. The Baker/Pisano Collection, focusing on American modernist art, was gifted in 2001 and remains to date the single largest donation of art to the collection.

Today The Heckscher Museum strives to thrive and grow in the quality of its collections, exhibitions, and school and public programs. The Heckscher Museum of Art is a not-for-profit 501(c)(3) educational organization, and is accredited by the American Alliance of Museums. The Museum’s building is included on the National Register of Historic Places.

The Heckscher Museum Celebrates 100: Tracing History, Inspiring the Future

The Heckscher Museum Celebrates 100 commemorated the fascinating people, art, and events that have shaped the thriving Museum during its first century. Brimming with masterworks and historical objects from the permanent collection, the exhibition took visitors from the original collection donated in 1920 to the exhibitions, and acquisitions that have shaped the Museum since.  The exhibition transformed the galleries, some with “salon-style” displays from floor to ceiling, ensuring that more of Museum’s impressive collection can be seen.  Grouped chronologically by acquisition year, the exhibition pauses at important “moments” in the Museum’s story.

Learn more about Part I of the exhibition

Learn more about Part II of the exhibition

#Heckscher100

Related News

Related News

February 1, 2020
A Curator’s Eye: Masterworks on View
January 5, 2020
Putting The Heckscher Museum of Art “On the Map”: The Legacy of Eva Ingersoll Gatling
March 1, 2020
HECKSCHER HISTORY: August Heckscher: Visionary
more museum news

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